COLOR PRINTING TOO!
You've asked and we've delivered. We now offer color printing!
Both our print prices and commitment to the highest quality fine art prints
remain unchanged. Recent technology advances have allowed us to provide extremely stable and long-lasting color printing on both gloss and matte papers with a high degree of consistency and process control. Of course we will continue to
offer the same luscious and long-lasting black and white prints you've come to expect.
Our dedication to the craft of fine art black and white is as strong as ever.
My popular one-on-one workshops will soon be updated with even more offerings, including sessions geared exclusively towards the needs of digital shooters.
If you'd like to be
notified by email when new services and special pricing become available, please
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WHO WE ARE
editions@Diallo Photography is a digital printmaking
studio located in Brooklyn, New York run by fine art photographer,
Amadou Diallo. Our goal is simple—to produce the finest
prints possible. We were one of the first
print studios to be designated a Certified Piezography Printer
by Cone Editions Press (developers of Digital Platinum,
Piezography, and iQuads inks and software). We specialize in producing editions for
photographers and galleries serving the fine art market. Our
clients appreciate the creative relationship that often develops
between artist and printmaker during the life of a project.
From analyzing your film or camera file, to selecting a paper stock, you'll
find one of the great advantages of working with a small studio
is that you can communicate directly with the person who's
working on your image. We will discuss your image requirements,
aesthetic preferences and any particular project needs
all
with the aim of meeting or exceeding your expectations with
a print of lasting value.
WHAT WE USE
We scan film and reflective art up to 11 x 11 inches with
Howtek drum scanners capable of optical resolutions up to
8000 pixels/inch. We output on wide-format inkjet
printers, on paper up to 44" wide and over 6 ft. in
length. For black and white images we use monochromatic pigment inks from Cone
Editions in two hues (see right), on some of the finest papers available for digital
output. Paper surfaces range from smooth to heavily textured and are acid-free.
THE PROCESS
Once you decide how large your image should be, we scan
it at a resolution optimized for final print size and produce
a full size proof print on your chosen paper. We submit
this proof for your final approval, at which time you sign
the print and it becomes a B.A.T. (Bon à tirer) thereby
authorizing production of the final print. Your final print(s)
will be made with the B.A.T. as a guide. If you require
any changes prior to signing the B.A.T., image editing charges
and proof print charges will apply to each iteration of
changes until you are ready to authorize the proof as a
B.A.T.. Proofs and B.A.T. remain property of the studio.
TURNAROUND TIME AND PAYMENT
During periods of high volume, turnaround time to produce
an initial proof is 12 in-house working days from the time
we receive the artwork or digital file. Once a B.A.T. is
in our possession, we require a turnaround of 5 working
days to produce the final print. Very large editions or
projects involving customized workflows may be subject to
longer completion times. We will provide you with an estimate
of turnaround time at the time of the order. A minimum payment
of 30% is required to begin production of a proof. Another
30% is paid with the signing of the B.A.T. and the final
40% is due before delivery of the final print. On local
pickups all orders must be paid in full before any prints
are released from the studio. In the event of a returned
check, a $25 fee is added to the invoice and all subsequent
orders must be prepaid in full with a credit card.
ADDITIONAL FEES
A single full size proof is provided at no additional cost
with each Full Service Package and Print Only order. In
preparing the file for print we crop to your specifications
and perform a global contrast adjustment to set highlight
and shadow points. If, after viewing the proof, you would
like further modifications, image editing charges of $75/half
hour and additional proof print charges will apply. If your
vision of the final image differs markedly from a straight
print of your negative, we encourage you to consult with
us prior to the proofing stage, so we may address your needs
early in the process.
REPRINTS
Your image file and B.A.T. are archived for future printing.
We maintain a highly calibrated system in our studio and
strive for consistency in all our materials. We stock paper
and ink supplies in quarterly allotments, insuring consistent
output over a 90 day period. And we can often compensate
for small variations in paper stock from batch to batch.
But when you request reprints beyond 90 days of the last
printing of your image, we provide free of charge a new
B.A.T. for your approval. If you feel the image requires
adjustments to compensate for manufacturing inconsistencies
in paper or ink, we will begin the proof/image adjustment
process, at our current rates, until you are ready to authorize
a new proof as the B.A.T. We also closely monitor advances
in the industry and when technologies become available that
offer significant benefits to our clients we upgrade materials
as necessary. When this does occur, we notify our clients
with enough time to complete their editions with the current
materials if they so choose.
SHIPPING
Delivery is via FedEx overnight or 2 day service. We ship
prints larger than 11x14 in tubes for maximum protection.
Shipping charges are finalized at the time of your order.
We will gladly ship using your own FedEx account number.
Please feel free to call the studio at 718.928.5526 or
for more information, or to discuss special project needs.

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